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Hawaiian Girl
Charcoal and pastel on paper
86 x 49 cm (34"x 20") image size
95 x 75 cm (38"x 30") frame size
(Available)
86 x 49 cm (34"x 20") image size
95 x 75 cm (38"x 30") frame size
(Available)
Three Eagles
Charcoal and pastel on paper
48 x 63 cm (19”x25”)
(in private collection)
My portraits of American 'Indians' are for me like icons, or place holders if you will. I feel it is relevant for me to draw (re-document) them, because of the perilous existence of many indigenous peoples in present time. Other ways of living and experiencing the world, languages and customs and traditional knowledge are under siege by encroaching alien mindsets and business interests. The big boot of 'civilisation' comes to either poison their environment with oil spills and leaked chemicals, stamp them out of existence altogether, assimilate them by erasing their culture and killing their shared core identity, or else forcefully relocate them in order to protect an endangered animal they have coexisted with for thousands of years.
48 x 63 cm (19”x25”)
(in private collection)
My portraits of American 'Indians' are for me like icons, or place holders if you will. I feel it is relevant for me to draw (re-document) them, because of the perilous existence of many indigenous peoples in present time. Other ways of living and experiencing the world, languages and customs and traditional knowledge are under siege by encroaching alien mindsets and business interests. The big boot of 'civilisation' comes to either poison their environment with oil spills and leaked chemicals, stamp them out of existence altogether, assimilate them by erasing their culture and killing their shared core identity, or else forcefully relocate them in order to protect an endangered animal they have coexisted with for thousands of years.
Great Plains Hunter
Charcoal and pastel on paper
48 x 63 cm (19”x25”)
(in private collection)
My portraits of American 'Indians' are for me like icons, or place holders if you will. I feel it is relevant for me to draw (re-document) them, because of the perilous existence of many indigenous peoples in present time. Other ways of living and experiencing the world, languages and customs and traditional knowledge are under siege by encroaching alien mindsets and business interests. The big boot of 'civilisation' comes to either poison their environment with oil spills and leaked chemicals, stamp them out of existence altogether, assimilate them by erasing their culture and killing their shared core identity, or else forcefully relocate them in order to protect an endangered animal they have coexisted with for thousands of years.
48 x 63 cm (19”x25”)
(in private collection)
My portraits of American 'Indians' are for me like icons, or place holders if you will. I feel it is relevant for me to draw (re-document) them, because of the perilous existence of many indigenous peoples in present time. Other ways of living and experiencing the world, languages and customs and traditional knowledge are under siege by encroaching alien mindsets and business interests. The big boot of 'civilisation' comes to either poison their environment with oil spills and leaked chemicals, stamp them out of existence altogether, assimilate them by erasing their culture and killing their shared core identity, or else forcefully relocate them in order to protect an endangered animal they have coexisted with for thousands of years.
Market Day
Graphite on paper
23,5 x 33,5 cm
(in shabby-chique frame)
(Available)
23,5 x 33,5 cm
(in shabby-chique frame)
(Available)
SpringThoughts
Graphite on paper
42 x 52 cm framed
42 x 52 cm framed
NormaJeane
Silver point and acrylic on gesso-prepped panel
30 x 30 cm (12”x 12”)
(Available)
Silverpoint drawing of a (not yet) Marilyn Monroe.
The piece was drawn in april '22. The silver that comprises this image reached its final tone after 6 months of oxidation. The drawing has an alluring lustre and changes appearance at various angles.
The drawing is fixed and smudge proof. The substrate is gessoed archival cardboard, mounted onto a foamcore panel.
30 x 30 cm (12”x 12”)
(Available)
Silverpoint drawing of a (not yet) Marilyn Monroe.
The piece was drawn in april '22. The silver that comprises this image reached its final tone after 6 months of oxidation. The drawing has an alluring lustre and changes appearance at various angles.
The drawing is fixed and smudge proof. The substrate is gessoed archival cardboard, mounted onto a foamcore panel.
Back Seat
Pastel pencil on paper
in black box frame
32 x 32 cm (13”x 13”)
(Available)
in black box frame
32 x 32 cm (13”x 13”)
(Available)
Jimi Playing
Charcoal on paper
cast in epoxy on panel
35.5 x 43 cm (14"x 17") paper size
40 x 50 cm (16"x 20") panel size
(Available)
Portrait of Jimi Hendrix on stage.
This is my attempt to draw him as fearlessly as he used to play.
The drawing has been cast in epoxy onto a panel
in a carefree, happy-go-lucky kind of way.
The glossy, crystal clear epoxy surface is quite reflective (as shown in the extra photographs, which makes the bold strokes of the drawing compete with bright patches and reflected glimmers and shadows. Only in some lighting circumstances or under certain angles the drawing is completely visible.
The piece is ready to hang, with a fixture on the back, or it can be leaned against a wall.
cast in epoxy on panel
35.5 x 43 cm (14"x 17") paper size
40 x 50 cm (16"x 20") panel size
(Available)
Portrait of Jimi Hendrix on stage.
This is my attempt to draw him as fearlessly as he used to play.
The drawing has been cast in epoxy onto a panel
in a carefree, happy-go-lucky kind of way.
The glossy, crystal clear epoxy surface is quite reflective (as shown in the extra photographs, which makes the bold strokes of the drawing compete with bright patches and reflected glimmers and shadows. Only in some lighting circumstances or under certain angles the drawing is completely visible.
The piece is ready to hang, with a fixture on the back, or it can be leaned against a wall.
Gaze VII (Shadyface)
Charcoal on paper
40 x 40 cm (16"x 16")
(in private collection)
Portrait of a girl behind a curtain in sunlight.
This drawing is part of a larger series of pattern paintings.
A series that puts a magnifying glass on the interpreting process that comes with art, as it involves things that are deeply rooted in the oldest parts of the human cognitive faculties, like pattern recognition and interpretation of facial features, while playfully referencing (Maori) tattoo’s, traditional war paint, or expressive facial make up for stage performance, and implying psychological sub-currents of various shape and meaning.
40 x 40 cm (16"x 16")
(in private collection)
Portrait of a girl behind a curtain in sunlight.
This drawing is part of a larger series of pattern paintings.
A series that puts a magnifying glass on the interpreting process that comes with art, as it involves things that are deeply rooted in the oldest parts of the human cognitive faculties, like pattern recognition and interpretation of facial features, while playfully referencing (Maori) tattoo’s, traditional war paint, or expressive facial make up for stage performance, and implying psychological sub-currents of various shape and meaning.
Shadyface II
Charcoal on paper
27 x 27 cm (11”x 11”) shown crop
30 x 30 cm (12"x 12") sheet size
Portrait of a girl behind a curtain in sunlight.
This drawing is part of a larger series of pattern paintings.
This series puts a magnifying glass
on the interpreting process that comes with art,
as it combines a few things that are deep rooted
in the oldest parts of the human cognitive faculties,
like pattern recognition and interpretation of facial features,
while playfully referencing (Maori) tattoo’s, traditional war paint,
or expressive facial make up for stage performance,
and implying psychological sub-currents
of various shape and meaning.
________________________
This original drawing has been fixed and is fairly smudge proof. It will be shipped flat, well protected in a reinforced box. It comes with a signed certificate of authenticity.
I recommend handing the sealed container to a professional framer, where you can choose a frame that suits both the artwork and your interior.
27 x 27 cm (11”x 11”) shown crop
30 x 30 cm (12"x 12") sheet size
Portrait of a girl behind a curtain in sunlight.
This drawing is part of a larger series of pattern paintings.
This series puts a magnifying glass
on the interpreting process that comes with art,
as it combines a few things that are deep rooted
in the oldest parts of the human cognitive faculties,
like pattern recognition and interpretation of facial features,
while playfully referencing (Maori) tattoo’s, traditional war paint,
or expressive facial make up for stage performance,
and implying psychological sub-currents
of various shape and meaning.
________________________
This original drawing has been fixed and is fairly smudge proof. It will be shipped flat, well protected in a reinforced box. It comes with a signed certificate of authenticity.
I recommend handing the sealed container to a professional framer, where you can choose a frame that suits both the artwork and your interior.
Melancholy Gaze
Pastel pencil on paper,
mounted to panel
21 x 27 cm (8"x 11")
(Available)
mounted to panel
21 x 27 cm (8"x 11")
(Available)
Twilight Gaze
Charcoal on paper
73 x 51 cm (28.7"x 20")
(Available)
Goddess of the Night locking eyes...
Based on a photograph from early last century.
73 x 51 cm (28.7"x 20")
(Available)
Goddess of the Night locking eyes...
Based on a photograph from early last century.
Gaze II (Medusa)
Charcoal on paper.
57 x 76 cm (22.5"x 30")
(in private collection)
57 x 76 cm (22.5"x 30")
(in private collection)
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